PARALLAX – Neural DSP Technologies
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DIVIDE AND CONQUER

Parallel bass processing has been used for decades. Dual rigs or multiple plugins would be configured to distort treble for clarity and aggression, and compress lows for a massive foundation.

Encompassing over a decade of experience engineering some of the most devastating bass distortions on the planet,  Parallax provides everything you need to design the ultimate bass tone.

DISTORTION

We process the Mid and Treble bands separately using our proprietary tube modeling technology for rich harmonics, and natural response.

High Drive

This knob interacts with the HPF Frequency control allows for dialing the perfect amount of fuzz or tightness.

Mid Drive

This knob distorts a portion of the spectrum that’s been set to add a throatier color and enhanced note articulation.

LOWS

Dialing a high gain sound with presence, definition, and clarity require that a certain amount of low end is removed from the spectrum to be distorted.

Having dedicated processing for the Low end of the spectrum while precisely controlling them using our Bus compressor algorithm, offers a seemingly infinite amount of size on tap.

EQUALIZER

While the Low, Mid and High sections offer total control of the distortion texture, attack, and overall size, the six band graphic equalizer provides an additional control layer for fine tuning the Parallax’s frequency response to perfection.

CAB SIM

The Parallax includes a very comprehensive cabinet simulation section.

As with all other Neural DSP plugins, it comes with a wide variety of microphones that can be moved around the speaker for maximum flexibility.

Important: 
When distorted, the higher end of the register truly benefits from well-captured speaker impulses, as the inherent frequency response shapes the distortion in a very musical and useful manner.

The same is not true for the lows, however: the peaks and valleys that do so much for the mid and treble tend to make the low end very problematic in a mix context, which is why the cabsim module only affects the Mid and High bands.

PRESETS

Effortlessly navigate the infinite tonal possibilities with the included 100+ presets designed by iconic artists & producers to give you world-class bass tones in seconds.

STANDALONE

The Standalone feature in Parallax allows you to quickly install, plug and play this versatile plugin suite!

No need to worry about DAW compatibility, setup, or crashes. Standalone is perfect for practice on the go and live use.

KEY FEATURES

  • Individual multiple tube gain stages for Mid and Treble.
  • Variable High Pass Filter for total distortion control.
  • Individual Level controls for Mid and Treble bands.
  • Variable Low Pass Filter for perfect control over the bottom end response.
  • Precise Bus compressor algorithm for the Low band.
  • 6-band graphic equalizer for both bands
  • Comprehensive cabsim module, with over 50 IRs across 7 different movable virtual microphones.
  • 100+ presets by Forrester Savell, Nolly Getgood, Jon Stockman & more!

“This product is the culmination of a decade designing and engineering at the cutting edge of bass distortion and signal processing.”

- Doug Castro

SYSTEM REQUIREMENTS

  • The Parallax comes in 64-bit VST / VST3 / AU / AAX / Standalone.
  • Latest OS Compatibility for Windows & Mac.
  • For more information about system requirements visit our FAQ section.
  • FREE iLok License Manager and iLok account needed.
  • NO iLOK USB DONGLE REQUIRED.

DOWNLOADS

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